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Wabi Sabi

by Gerhard Zander

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Wabi Sabi 1 02:00
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Wabi Sabi 2 01:00
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Wabi Sabi 3 01:00
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Wabi Sabi 4 01:00
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Wabi Sabi 5 01:00
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Wabi Sabi 6 00:59
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Wabi Sabi 7 01:00
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Wabi Sabi 8 02:00
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Wabi Sabi 9 01:00
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Wabi Sabi 10 01:59
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Wabi Sabi 11 02:00
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Wabi Sabi 13 00:59
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Wabi Sabi 15 01:00
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Wabi Sabi 16 02:00
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Wabi Sabi 17 02:00
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Wabi Sabi 18 02:00
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Wabi Sabi 19 01:00
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Wabi Sabi 20 02:00
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Wabi Sabi 21 02:00
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Wabi Sabi 22 02:00
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Wabi Sabi 23 02:00
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Wabi Sabi 26 02:00
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Wabi Sabi 27 02:00
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Wabi Sabi 28 01:00
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Wabi Sabi 29 02:00
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Wabi Sabi 30 02:00
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Wabi Sabi 31 02:00
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Wabi Sabi 32 02:00
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Wabi Sabi 33 02:00
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Wabi Sabi 35 02:00
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Wabi Sabi 38 02:00
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Wabi Sabi 39 02:00
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Wabi Sabi 42 01:00
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Wabi Sabi 43 02:00
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Wabi Sabi 44 02:00
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Wabi Sabi 45 01:00
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Wabi Sabi 46 02:00
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Wabi Sabi 47 02:00
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Wabi Sabi 48 02:00

about

"Wabi-sabi nurtures all that is authentic by acknowledging three simple realities: nothing lasts, nothing is finished, and nothing is perfect." The words wabi and sabi do not translate easily. Wabi originally referred to the loneliness of living in nature, remote from society; sabi meant "chill", "lean" or "withered". Around the 14th century these meanings began to change, taking on more positive connotations. Wabi now connotes rustic simplicity, freshness or quietness, and can be applied to both natural and human-made objects, or understated elegance. It can also refer to quirks and anomalies arising from the process of construction, which add uniqueness and elegance to the object. Sabi is beauty or serenity that comes with age, when the life of the object and its impermanence are evidenced in its patina and wear, or in any visible repairs.

en.wikipedia.org/wiki/Wabi-sabi

credits

released January 3, 2020

Aufgenommen/Recorded 2015 – 2019 @ Frickel-Land
Eurorack Modular Synthesizer
Guitars, Bass, Hohner Guitaret, Kalimba, iPad

All music, photography and design
by Gerhard Zander

Zufallswiedergabe empfohlen/Random play recommended

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all rights reserved

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about

Gerhard Zander Augsburg, Germany

Gerhard Zander´s musical work started in the experimental field of electronic rock music. In the mid-seventies, he began experimenting with cassette and tape recorders. He has been working on several projects of improvised music. Currently, his main focus is the use of modular synthesizers and prepared instruments. ... more

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